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M9B Friday Reveal: Chapter One of Summer of the Oak Moon by Laura Templeton with Giveaway #M9BFridayReveals

M9B-Friday-Reveal

Welcome to this week’s M9B Friday Reveal!

This week, we are revealing the first chapter of

Summer of the Oak Moon by Laura Templeton

presented by Month9Books!

Be sure to enter the giveaway found at the end of the post!

Summer-of-the-Oak-Moon-Cover

Rejected by the exclusive women’s college she has her heart set on, Tess Seibert dreads the hot, aimless summer ahead. But when a chance encounter with a snake introduces her to Jacob Lane, a black college student home on his summer break, a relationship blooms that challenges the prejudices of her small, north Florida town.

When Jacob confesses that Tess’s uncle is trying to steal his family’s land, Tess comes face to face with the hatred that simmers just below the surface of the bay and marshes she’s loved since birth. With the help of her mentor Lulu, an herbal healer, Tess pieces together clues to the mysterious disappearance of Jacob’s father twenty-two years earlier and uncovers family secrets that shatter her connection to the land she loves.

Tess and Jacob’s bond puts them both in peril, and discontent eventually erupts into violence. Tess is forced to make a decision. Can she right old wrongs and salvage their love? Or will prejudice and hatred kill any chance she and Jacob might have had?

add to goodreadsTitle: Summer of the Oak Moon
Publication date: May 5, 2015
Publisher: Swoon Romance/Month9Books, LLC.
Author: Laura Templeton

Available for pre-order:
amazon

Chapter-by-Chapter-header---Excerpt

Chapter 1
1982
Port Saint Clare, Florida

Two days after graduation, I saw the panther.
Drifting down a shallow creek, I’d cut the motor on
my boat and trailed my hand in the water, worrying about my
lack of a plan for the rest of my life. Being a girl, local custom
didn’t demand too much of me, but Mother had her own ideas
about what I should strive for. And those ideas, adhered to with
the same fervor as Brother Franklin’s sermons, meant going
away to college and leaving this backwater town for a vague,
but much-touted, “something better.” It was my life, though,
and I’d refused to leave, choosing instead to spend the summer
wandering the seemingly endless saltwater marshes and tidal
creeks that spread away from our house like a gift unfurling in
the hot sunlight.

I spotted the panther crouched on a rock, facing away from
me and stalking something in the grass. Growing up on the
Apalachee Bay, I’d seen a lot of wildlife. More than once, I’d
watched a black bear walk down the wooded coastline. But
panthers were secretive and scarce, and I’d never seen one.

The cat was smaller than I expected, and the slight
quivering of its hindquarter reminded me of Oliver, my gray
tabby, when he stalked butterflies in the garden. I must have
made some small sound because it turned to look at me and
all resemblance to Oliver vanished. As I stared into its wild,
unblinking eyes for a few seconds before the panther leapt
away, something broke and swirled inside of me, like when
Lulu cracked a fresh egg into a bowl of water and read the
white patterns she saw there.

If I’d seen my future in that brief encounter with the panther,
I don’t know if I would’ve had the courage to live it. Port
Saint Clare was my home, but the summer I turned eighteen I
realized that what I knew of it was deceptive as gentle waves
rippling the surface of the bay, hiding the dangerous undertow
that moves below.

Violence and hatred existed in my world. That summer, I
ran headlong into them.

***
A little after noon a few days later, I slammed the screen
door and yelled back through it at Mother. “I swear I hate
you!” I stomped off the porch, wiping a tear that hung like an
accusation on my chin. How could she fail to see that I was
just as upset as she was about the unplanned turn of events?
As if constantly reminding me that I had no place to go come
August would get me any closer to college.

I shoved aside tendrils of wisteria as I walked through
the arbor that covered the path to the dock behind my house.
Breathing in the sweet scent of its summer blooms, I closed
my eyes to the hot sun on my upturned face. I wished its heat
could burn away the ugly words I already regretted.
I carried a large Mason jar filled with rose petals and
lavender blossoms I’d picked from the garden that morning.

Sitting carefully on the hot planks of the dock, I pulled my
canoe toward me with my legs and then set the jar in a holder
I’d made from an old tackle box. My backpack held the
essentials—water, bug repellent, and my pistol. I tossed the
bag in the canoe and climbed in after it, lugging with me the
doubt I’d carried around like a suitcase ever since I’d received
the rejection letter from Mother’s alma mater.

The paddle made soft splashing sounds as I moved it from
one side of the boat to the other, and the water dripping off it
cooled my bare legs. The weather had stayed nice long enough
for our outdoor graduation ceremony and then turned hot
and muggy right afterward. Now the heat clung like a sweatdrenched
shirt and wouldn’t let up until October, about the
time the monarch butterflies stopped over in the marshes on
their way to Mexico.

I used my trolling motor to maneuver the canoe down the
clear, fresh water of Sugar Creek toward the Saint Clare River
a short distance away. About a mile downstream, the river
spread out into saltmarsh before it reached the shallow water
of the Apalachee Bay.

A lighthouse stood in the estuary, and I used the whitewashed
brick tower to navigate a labyrinth of narrow creeks, each of
which looked pretty much like the next. I can’t really say how
many times I’ve gotten lost in the marshes. Physically lost,
that is. I don’t think I’ve ever felt really lost there. The marshes
are in my blood like the grandmothers I never knew—they
rock me, ground me, and teach me that many things existed
before I was born.

The sun was high, and in the distance, south toward Dog
Island, I saw oyster boats—white flags pinned to the gray
water. I hugged the marshy shoreline and then turned down a
series of side creeks. As the water grew shallow, I killed the
motor and paddled. Around a bend, a big bull alligator sunned
on a partially submerged tree, his knobbed back the color of
the rotting tree bark and his nose hidden in cattails. He was
there more often than not, and neither of us was alarmed. He
didn’t move as I paddled within a few feet of him.

Right after I passed the gator, I glanced down a side creek
and saw a black man fishing from a skiff. It was rare to see
anyone out fishing on a weekday, and I looked to see if it was
someone I knew. He saw me and raised his hand in greeting.
He was a good distance away, but close enough that I knew he
was a guy I’d seen in town a few times. I wondered why he
was fishing on a Thursday afternoon when most people were
working. I waved back, but seeing him there made me uneasy.
In Emmettsville, about fifty miles away, a black man had
recently attacked and killed a white girl who was out hiking, a
terrible crime that Mother was fond of calling to my attention
whenever I left in my canoe. That she’d forgotten today was
a sign of how angry she was. The incident had sparked riots
in Emmettsville and a flurry of heated op eds in the Port Saint
Clare newspaper. Race, it seemed, was still a hot button issue.
I always preferred to be alone on my “expeditions,” as
Daddy called them. I never even took my best friend Karen
with me, though she and I had done pretty much everything
together since third grade.

“Tess, I swear you’re the reincarnation of Sacagawea,”
Daddy liked to say.

I always rolled my eyes, but secretly I liked the image. Me,
wild and savage in my canoe, leading Lewis and Clark through
the wilderness I knew like the lines in the palm of my hand.
I was twelve when I started roaming the woods, most of
which belonged to the wildlife refuge. At first, Daddy forbade
me to go. But no punishment he and Mother thought up could
keep me from the bay.

On my fourteenth birthday, just after we’d finished my
cake, Daddy handed me a package wrapped in brown kraft
paper with no ribbon. When I pulled back the paper to reveal a
gun, Mother gasped so hard I thought she’d swallowed a gnat.
Her face was as red as I’d ever seen it. I knew Daddy would
catch heck later.

“It’s a Smith & Wesson .38 Special. It’s got a four-inch
barrel, so you can actually hit something with it.” Daddy
smiled at me.

“Damn!” Karen said without thinking. I kicked her under
the table.

I smelled a hint of oil as I lifted the pistol out of the box,
admiring its knurled wood grip.

“Walnut,” Daddy explained before I could ask.
I hugged Daddy then. I knew he was turning me loose. He
knew it too, and looked like he might cry, which scared me a
little.

Daddy spent hours teaching me to shoot the pistol. I was
a good shot, which surprised me, and I almost always hit the
cardboard torso he nailed to a tree out in the woods. That
seemed to satisfy him. But in the four years I’d owned the
gun, I’d never used it for anything other than target practice. I
supposed that was a good thing, though it also pointed to the
fact that my life had been pretty uneventful.

After seeing the man fishing, I set the paddle aside and
reached into my backpack, checking to make sure the gun was
loaded. It never occurred to me to question why I was doing it.
I just figured—better safe than sorry.

I paddled alongside a large rock that jutted out into the
creek at a shallow spot and secured the canoe with a rope that
I long ago had tied to a nearby tree. Then, I climbed the bank
and carried the jar of petals a short distance down a dirt path.
The undergrowth beside the trail was thick with palmettos,
pine trees, and oaks veiled with Spanish moss. Wild lantana
ran rampant, its yellow blooms attracting scores of bees.
The path ended at a clear pond that reflected the sunlight
in brilliant turquoise. A freshwater spring bubbled up through
vents in the sandy bottom. The grassy shoreline held few
trees, though some cypresses grew along one side, their wide,
wet knees sending root tentacles into the clear water. As I
approached, a pair of wild ducks half ran, half flew, to the
far side, their wings flapping like someone shaking out wet
laundry.

I filled the jar of petals with water from the spring, screwed
on the lid, and set it on a partly submerged rock. I would leave
it there overnight to steep in the light of the full moon. Lulu
taught me that. “The full moon gives them power,” she said.
I removed my shoes and sat in my favorite spot, my back
against a large rock. My feet touched the edge of the pond,
cooling my whole body. After emptying my canvas backpack
on the ground beside me, I crushed it into a pillow and put it
behind my head. The heat rising from the rock lulled me to
sleep.

Some time later, I jerked as if something urgent had
wakened me. At a movement to my right, I turned to see a
water moccasin coiled inches from my leg. Its thick, black
body, easily as big around as my arm, glistened in the sunlight.
The snake lay close enough that I could make out individual
scales, little tiles of shiny, violet-black granite.

Instantly, I froze. Moving only my eyes, I glanced at the
pistol, which lay a short distance away. I weighed my options.
I was afraid to make a grab for the gun. If I didn’t move, the
snake might just go away.

For what must have been several minutes, I sat so still I felt
my heart pulsing in the pads of my fingers where they rested
on the hot rock beside me. Water lapped at the edges of the
pond, its gentle sloshing sounds a sharp contrast to the terror
that gripped me. But still I waited, as sweat trickled down my
forehead and stung my eyes.

Then, suddenly, a bird or a squirrel rummaged through
the underbrush. Sensing the movement, the snake tensed and
opened its jaws wide. I saw its fangs and the cotton-white
lining of its mouth and lunged sideways for the gun. At the
same time, I rolled my lower body to the left and drew my legs
up under me, away from the snake.

But I wasn’t quick enough. Just as I grabbed the gun, the
snake hit my leg hard. The needle-like fangs pierced my skin
like bee stings, only much worse. I gasped in pain but rolled
quickly back to the right so I could aim the pistol straight on. It
would be just like target practice, I thought. I pointed the gun
and fired as the snake raised its head to strike again.

But my first and second shots missed. Fear and nerves
affected my aim. I screamed out of sheer frustration, the sound
seeming to come from someone else. The snake stretched out
almost the length of its body and struck a second time, biting
my shin just below the knee. Again the sharp pain tore through
my leg. I got a third shot off and finally hit the snake, throwing
it backward.

I stood as quickly as I could, wobbling as I tried to put
weight on the bitten leg, and fired two more shots into the
snake just to make sure it was dead. I felt a little woozy as I
watched its body twitch and jump with each shot. I didn’t like
the idea of killing something—not even a venomous snake
that had just bitten me. Twice.

I sat on the rock and examined the two puncture wounds
that oozed blood. Already they were beginning to swell. Pain
seared through my leg when I tried to stand, and a wave of
nausea hit me, forcing me to sit down quickly. I decided to
wait a bit for the pain to let up.

But while I drank from the thermos of water I’d brought,
the seriousness of the situation dawned on me. The pain wasn’t
going to get any better. A snake bite typically wasn’t as big a
deal as people made of it. But I’d been bitten twice, and the tenminute
paddle out to the deeper water of the bay was the worst
thing I could do. The exertion would set my heart pumping
and spread the venom more quickly through my body.
As my leg stung out away from the impact points, up along
the veins, I mentally prepared myself to get moving toward
home before the pain got any worse. I sat up and splashed
some cold water from the spring on my face.

As I struggled to stand, I heard a boat approaching.
Remembering the guy I’d seen fishing, I began to shake,
though whether in fear or because of the bites, I wasn’t sure.
The sound of the outboard motor came closer then stopped.
He’d seen my canoe. Nausea caused me to clasp my hand to
my mouth and double over.

“Hello?” he called out as he ran down the path toward me.
By the time he reached the clearing, I was on my feet with
the gun pointed right at him. I had only one shot left, which
he probably knew as well as I did. My aim had to be good this
time. But the nausea and the pain in my leg made it difficult to
hold the gun steady.
“Stop right there!” I meant to sound authoritative. Instead,
my voice wavered, and I knew I sounded pathetic.

“Whoa!” He stopped with his palms facing me as if he
could hold off a bullet with them. “Hey, I’m just trying to help
here. You can put that thing down.”

He has big hands. The thought flashed through my mind
and left me wondering about my mental condition.

“Not until you leave.” I swayed a little with the effort it
took to remain standing. I needed help, I knew. But Mother’s
warnings sounded in my head. I didn’t intend to be the next
victim found in the woods.

His gaze moved from the dead snake to my injured leg.

“You’ve been bitten. Cottonmouth, huh?” He could have been
commenting on the weather.

I nodded and chewed my bottom lip to curb the nausea. His
voice was warm like the rock I’d been sitting on. And he was
younger than I’d realized, probably just a few years older than
I was. Flushed and dizzy, I let the gun droop until it pointed
more toward his legs than his chest. He noticed, but he didn’t
step forward to take it from me.

“It’s okay.” He sounded exasperated. “Put that thing away.

You screamed, and I heard gunshots. I came to help.” He
watched me closely. I didn’t put the gun down, though by now
it was pointed at his feet.

“I’m Jacob Hampton.” He walked deliberately toward me.
At the time, that struck me as incredibly brave, but thinking
back on it I doubt I was much of a threat. He seemed blurry
around the edges, like waves of heat were rising off his brown
skin. He stopped right in front of me and, before I could react,
offered me his hand. It was clean with trimmed nails—not
bitten, like mine.

“Tess Seibert …” my voice trailed off to a whisper. I
dropped the gun and fainted in a decidedly un-Sacagawean
way.

Chapter-by-Chapter-header---About-the-Author

Laura Templeton

Laura Templeton lives near Athens, Georgia, with her husband, son, and a menagerie of animals. When she’s not writing, she enjoys gardening, learning to figure skate, and taking long walks on the quiet country roads near her home. Something Yellow is her debut novel, and her creative nonfiction has appeared in various publications.


Author Links:
Website | Twitter | Facebook | Goodreads

Chapter-by-Chapter-header---Giveaway
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M9B Friday Reveal: Chapter One of Lucas Mackenzie and the London Midnight Ghost Show by Steve Bryant and Giveaway #M9BFridayReveals

M9B-Friday-Reveal

Welcome to this week’s M9B Friday Reveal!

This week, we are revealing the first chapter for

Lucas Mackenzie and the London Midnight Ghost Show by Steve Bryant

presented by Month9Books!

Be sure to enter the giveaway found at the end of the post!

Lucas MacKenzie eBook Final

Lucas Mackenzie has got the best job of any 10 year old boy. He travels from city-to-city as part of the London Midnight Ghost Show, scaring unsuspecting show-goers year round. Performing comes naturally to Lucas and the rest of the troupe, who’ve been doing it for as long as Lucas can remember.

But there’s something Lucas doesn’t know.

Like the rest of Luca’s friends, he’s dead. And for some reason, Lucas can’t remember his former life, his parents or friends. Did he go to school? Have a dog? Brothers and sisters?
If only he could recall his former life, maybe even reach out to his parents, haunt them.

When a ghost hunter determines to shut the show down, Lucas realizes the life he has might soon be over. And without a connection to his family, he will have nothing. There’s little time and Lucas has much to do. Can he win the love of Columbine, the show’s enchanting fifteen-year-old mystic? Can he outwit the forces of life and death that thwart his efforts to find his family?

Keep the lights on! Lucas Mackenzie’s coming to town.

add to goodreads

Title: Lucas Mackenzie and the London Midnight Ghost Show
Publication date: November 18, 2014
Publisher: Month9Books, LLC.
Author: Steve Bryant

Chapter-by-Chapter-header---Excerpt

Lucas Mackenzie and the London Midnight Ghost Show
By Steve Bryant

Chapter One
Ghost Story

It was a chill, gooseflesh evening, thanks to the damp ocean air and to ghostly expectations. Thin black clouds scuttled past the moon like witches on broomsticks.
Far below, on an eerily empty California street, a delta wing Buick Electra neared a little theater. The four high school girls in the car shivered, surprised to find themselves so alone at this late hour. A line of empty cars stretched down the block to the black Pacific, and streetlamps glowed faintly in the mist. This was the San Diego community of Ocean Beach, a few heart palpitations shy of midnight.
“Sweet Mary,” said the Ponytail at the wheel. “The show must have started already. Who would have thought ghosts were so punctual?”
“Shut up!” said the French Braids seated beside her. “Ghost stories give me the heebie-jeebies. I can’t believe we came down here tonight to see dead people.”
The car entered the oasis of light cast by the theater itself. Although The Strand’s daytime fare ran to Elvis Presley and surfing movies, its illuminated marquee on this ghost story evening promised far more than Love Me Tender and Sandra Dee.
ONE NIGHT ONLY!
PROFESSOR MCDUFF AND HIS LONDON MIDNIGHT GHOST SHOW
SPOOKS RUN WILD IN AUDIENCE
PLUS
ALL-STAR CREATURE FEATURE
“Creepy!” said the Toni Home Perm in the back seat. “I think that skeleton in the window just looked at me.”
“Drive on by!” said the Poodle Cut beside her. “Let’s go home. I have a feeling. I think something is wrong with this show.”

* * *

Inside the little movie house, in the tiny projection booth at the top of the narrow winding stairs, a little boy peered through the small square window. His name was Lucas Mackenzie, and he was ten years old. Lucas felt as though he had been ten forever, and there seemed to be nothing he could do about it.
On stage at that moment, a magician in a smart black tuxedo and a red turban stood still as death, his dexterous hands moving only as his mysteries required. Professor Ambrose McDuff, as pale as storybook vampires in the glow of a single spotlight, showed both the fronts and backs of his hands to be empty, then plucked fans of playing cards from the air. Individual cards fell from his fingertips like rose petals falling upon a grave.
But despite the Professor’s eerie mastery of nineteenth-century card manipulation, this was 1959, and audiences demanded more. Lucas knew that the couples on hand were impatient for the theater to be plunged into total darkness, that the teenage boys on hand were hoping for something more dramatic than snatching jacks and aces from the air. This was supposed to be a ghost show, and the crowd—if the pockets of teenagers scattered about the theater at this late hour could be called a crowd—was tiring of card tricks.
“Come on, Pops,” someone shouted. “Let’s see some ghosts!”
A narrow cylinder of light sliced through the darkness as a young usher aimed his flashlight beam at the outburst. “Quiet! I’m warning you!”
“Aw, who’s gonna make me?”
On stage, a royal flush appeared at the magician’s fingertips.
Beautiful magic is not to be rushed, the Professor always said. There would be time soon enough for so-called ghosts.
Nevertheless, Lucas rolled his dark eyes in response to the outburst below—a shame, he felt, as he loved the Professor’s card tricks—and concluded that it was time to move the show along.
He wore a set of large black metal headphones, and he spoke into the grille of a gray bullet microphone. “Bravo, Professor. Nice work. Yorick is set to go on, and then Alexandra. This crowd should love the Juan Escadero number.”
As Lucas knew, Professor McDuff, could hear him perfectly thanks to earphones concealed beneath his red turban. Lucas had designed the show’s secret radio network—the entire theater was wired with microphones and receivers—and was very proud of it. It had been his first contribution to the show. Before Lucas’s time, electronic communication relied on copper plates in the bottoms of the Professor’s shoes, and on long copper wires hidden under the runway carpet, a holdover from the Second Sight mind-reading acts from the thirties.
No one would suspect the simple arrangement of the Professor’s next exhibit of using hidden electronics or secret mechanisms. He placed a glass shelf across the backs of two chairs, and atop this innocent platform he placed the centerpiece of the demonstration, an oversized human skull in a red sombrero.
The reaction was immediate. As Lucas expected, the agitators in the audience fell silent. At least this skull in the red hat looked as if it belonged in a spook show. Its eye sockets and nose cavity were dark hollows, its teeth a fixed, mocking grin.
The Professor tossed decks of cards into the audience and instructed three boys to stand and take a card. Could this “Juan Escadero,” proclaimed by the Professor to be the “floating, talking head of one of Mexico’s most notorious card cheats,” look into their minds and identify their cards? Could anyone?
The ivory-hued head on the glass platform twisted from one boy to the other.
“Ay, amigos,” it said, in a voice that sounded like Speedy Gonzales. “My Inner Eye sees all. No one keeps secrets from Juan Escadero. Could you be thinking of the king of hearts? And you the two of spades? And the ace of diamonds for the muchacho in the middle? Please be seated if I am correct.”
Instantly the three spectators sat down, and the audience rewarded the disembodied card sharp with applause and whistles.
As always, uncertainty rippled through the theater.
A wise guy in row 4 voiced his solution. “It’s a hidden microphone,” he said. “Someone behind the curtain is speaking into it.”
Another boy said, “It’s the old man. He’s doing it. It’s nothing but card manipulation and ventriloquism.”
A third shouted, “Hey, Pancho. What about the floating?”
The audience gasped as the skull suddenly turned, ever so slightly, in the direction of the challenge. For the first time the thing appeared to be genuinely alive, as though it had heard the comment.
“Ay, mi cabeza,” the skull said. “I feel so light-headed.” At which point the talking skull rose two feet in the air above its glass shelf. The ghastly thing bobbed in space, its red sombrero at a jaunty angle, its mouth open in a gaping grin. Lucas grinned too as the audience again broke into appreciative applause.
“Threads,” said a worried voice in row 10. “It’s gotta be threads.”
Lucas hoped for a similarly warm reception to Professor McDuff’s next magical presentation, the Houdini Metamorphosis Trunk. As the Professor introduced a wooden packing case large enough to conceal a dead body, Lucas cued Alexandra, one of the lovely Gilbert triplets. Though the three Gilbert girls were only twenty-two, they treated Lucas as though they were his mom. Tonight, it was Alexandra’s turn to do the box trick.
“Thanks, kiddo,” she said from a communication console in the wings. “I’m set. I love these California kids. They think I’m the ginchiest.”
The teenagers whooped and whistled as the beautiful Miss Gilbert strutted onto the stage in a black crepe dress. A red bow adorned her long blond hair, and her movie-star figure was breathtaking. She threw kisses to the audience and winked at Lucas in his booth.
The trunk, Lucas observed with pride, was old and creepy, weather-beaten, and just too darn real—like something that might have been found at night on a dock. This was no glitzy magic shop prop. The Professor locked the lovely Alexandra inside, the lock snapping shut with a heavy clunk.
The magic itself was spooky, like a dissolve in a monster movie when a man turns into a werewolf. Lucas loved the movie I Was a Teenage Werewolf and wondered what it would feel like to change. What if your muscles bulged until they ripped your shirt, if the fur of a wolf sprouted from your face, if your teeth became deadly fangs, all in a matter of seconds? Would teenage girls be frightened, or would they admire you?
The Professor made it look so easy. One moment he was standing on the box, hidden behind a large cloth. After a mere flicker, the cloth fell away and revealed a liberated Alexandra standing in his place. She then wiggled off the box, opened the formidable padlock, and produced the Professor from within.
The cast was proud that magical insiders would swear the exchange could not take place so quickly. It must be a new invention. According to reports in the leading conjuring magazines, the great Blackstone himself had seen the show in Cleveland and had left the theater shaken.
“It’s just the old switcheroo,” a boy in row 8 rationalized. “It’s a sliding panel. They all do it.”
But now it was Lucas’s turn to tremble, high in his aerie. His favorite part of the show was coming up. With both hands he adjusted the headphones, and he faced the microphone, paralyzed. Seconds ticked by.
He forced her name out at last. “Uh, Columbine?” His voice squeaked. “Ready? You’re up next.”
“Of course I am, Lucas.” The words danced in Lucas’s headphones. He had said her name. She had said his. It was the highlight of every performance. “I’m a mystic after all, a seer. And, Lucas, I think you should look behind—”
Just then something cleared its throat behind Lucas.
“AAUGH!” the boy yelled, startled to realize he wasn’t alone. Lucas turned to find a behemoth of a man standing behind him. The man might have been a stunt double from a Frankenstein movie, except that he was too tall and, perhaps, too green. His short black hair carpeted a flat head, and he wore a loose fitting brown suit with a brown bow tie. The two of them barely fit in the room.
“Oh, it’s you,” Lucas said. “For a moment you gave me quite a start.”
They both laughed. It was a private joke between the two of them, a riff on a favorite Charles Addams cartoon. Lucas felt the fellow, whose name was Oliver, looked a little too much like the servant in Mr. Addams’ spooky cartoons.
“Greetings, Master Lucas,” said Oliver. “I thought I should drop in to ascertain that you hadn’t swooned from love. I wouldn’t want to find you incapable of performing your duties.”
“You’re soooo funny,” Lucas said. And then he slapped his forehead and turned back to the microphone.
“Uh, sorry, Columbine. Good luck. Just follow the Professor’s lead.”
Lucas looked through his little window with concern. The theater was musty, a consequence of being so close to the ocean. “It’s such a small house tonight,” he said. “I hope she doesn’t take it personally.”
“What’s the count?” Oliver asked.
“I’m thinking only 150 or so,” Lucas said. “And this theater seats 800.”
“My, my,” his large friend said. “A pity. Goodness, we drew 3100 at the El Capitan in San Francisco, back in ’42. And 4000 a year later at the Bijou in Cincinnati. That’s a lot of screams.”
Audience numbers had been dwindling for some time, and night after night Lucas became more disheartened. Could the show actually come to an end some day if people quit coming? If the cast dispersed, where would he go? To be adrift, alone, was unthinkable, like stepping into a black abyss. And more importantly: where would she go?
But at that moment she was about to take the stage, and the teenagers who were on hand welcomed her warmly when the Professor introduced her as “the Teenage Telepath, the Diva of Destiny, the Psychic of the Century—the sensational Columbine.”
She strode onto the stage, this tall, thin, stargazing girl of fifteen years, with midnight black hair. She wore a plain white shift, and her skin was fair and moonbeam pale. The only color on stage was the girl’s lips, afire with red lipstick. Most would judge her to be six feet tall, though she would insist she was no more than five eleven. Her dark eyes turned to the crystal ball resting in the palm of her right hand.
The audience suddenly became very quiet. One boy coughed, apologetically.
“Okay, Eddie, let’s sell this,” Lucas said into his microphone.
The theater suffered from an ancient wiring system and a shaky bank of lights, but they were not a problem for Eddie, the Lighting Guy, hunched in the back of the building. Lucas watched as Eddie bathed Columbine in a blue spot. She looked ethereal. A Columbine performance was like a religious experience.
“This girl is like putty in my hands,” Eddie said into his microphone.
Lucas hated it that Eddie thought he had Columbine wrapped around his little finger. Ever since she had joined the cast, over two years ago now, Eddie had strutted about as though he were her boyfriend. Columbine herself seldom seemed to notice him, but Eddie just passed this off as her distant personality. “That’s just my girl,” he would say. “We have an understanding.” Lately she spent most of her private time listening to Buddy Holly records and consulting her astrological charts.
Oliver and Lucas leaned their heads together as both attempted to see through the little window at the same time.
“What’s that I hear?” said Oliver. “That unearthly tapping? I’d call it a rhythmic tapping, but it keeps skipping beats. Certainly it couldn’t be, oh, your heart?”
“Quiet, you big goofus,” Lucas said, “or I’m cutting your minutes.”
In the audience, hands exploded into the air, vying for the pale seer’s attention. All the teens wanted their fortunes told.
Columbine turned her lovely face from one longing soul to another. Her gazing-glass visions began.
To one girl, she said, “There is a jukebox, at a place near the beach. The moon has just risen, and the lights are dim. Johnny Mathis is singing ‘Chances Are.’ You will dance with one boy, but another will cut in. He’s the one!
To a boy, she said, “You are in a roller skating rink, and there is organ music. It’s a couples skate, and the song is ‘Volare.’ There is a girl who shows up on Saturdays, with a long blond ponytail. This time you won’t be too shy to ask her to skate.”
And then, “Oh, dear,” she said. “In the third row. I am sorry. Your girlfriend will see the scary movie The Blob with another boy. They will sit through it twice.”
A whispered argument broke out in the third row.
“Big deal,” said a boy in row 12. “That ball is probably just one of those Magic 8 Balls.”
“Or she could have looked this stuff up in this morning’s horoscope,” said another. “In the paper.”
“Yeah, but I’d sure like to take her to the prom,” said still another.
Lucas sat with his mouth open as this astral Miss Lonely Hearts spun out her prophecies. The crystal in Columbine’s hand turned slowly, casting streaks of ice blue across her enchanting face. To look at her was to believe her, to not look at her was impossible.
“My public awaits,” said Oliver. He passed a large hand back and forth before Lucas’s goggled eyes, but the boy didn’t blink. “You’re a lost cause, Master Lucas.”
The big fellow left, closing the door behind him.
“I don’t know what to say to her,” Lucas said, his eyes still drinking in this witch-girl vision in blue. “I never know what to say.”
He adjusted the microphone and reverted to his professional voice. What Lucas lacked in adult vocal register he made up for in authority. “Okay, everybody. Let’s wrap it up for Columbine. Flowers, please, Professor. Oliver is up, and then into the blackout. Stations, everyone. It’s ghost story time.”
Professor McDuff returned and made a big to-do of presenting Columbine a bouquet of blood-red roses, then escorted her offstage to continued applause and whistling.
At the edge of the stage, with the girl safely in the wings, the Professor turned again and explained the rules of the blackout to the audience. “One: remain seated. Two: no flash photographs—our ghosts are bashful. And three: if something cold and dead should put its hands around your throat, you can always scream. And now,” the Professor added over the audience’s nervous laughter, “I give you the Curse of Frankenstein!”
Fog oozed across the stage floor, lightning flashed, thunder rumbled. Lucas gave birth to all three effects: a thick white cloud issued from his Vapor-250 Atomizer, simulated lightning exploded from a bank of flashbulbs, and thunder from his Hollywood Sound Effects phonograph record erupted from speakers the size of refrigerators. With a deft replacement of the phonograph needle, he threw in one more extended rumble for good measure.
“Ka-booooooom!”
On this note, Oliver lurched out, doing his best to look like the Frankenstein monster from the movies. His green hue, some last-minute Hollywood stitches, and a pair of sparking neck electrodes constituted special effects that rivaled those of the best Hollywood monsters. The teenagers granted him full attention as the hulking actor grimaced, spread his arms, and began his recitations.
Oliver’s low voice gave life to a selection of spooky rhymes. James Whitcomb Riley’s famous orphan told her witch tales, Edgar Allan Poe’s black bird perched ominously, Shakespeare’s witches issued their dire portents.
But as entertaining as the actor’s recitations were, and despite his looking like someone to avoid in an old castle on a rainy night, his welcome began to wear on his young audience.
“This isn’t the ‘Curse’ of Frankenstein,” an anguished voice said. “It’s the ‘Verse’ of Frankenstein.”
The teens in the front rows began to throw things at the stage. Milk Duds, Chuckles, Tootsie Roll segments, and a hailstorm of popcorn filled the air. The “monster” waved these trifles aside as he continued his soliloquy.
“That should do it,” Lucas said into the mike. “Cue the McClatter boys.”
In military formation, six life-sized skeletons marched onto the stage. Two of them wheeled out an enormous guillotine as the others restrained Oliver.
“Cool,” said a boy near the front of the theater. “Marionettes.”
The skeletons dragged Oliver to the guillotine and forced his head through the opening. The device’s steel blade loomed eight feet above.
“Murder most foul,” Oliver cried.
With a smiling glance at the audience, one of the skeletons pulled a lever, and the heavy metal blade dropped with a sickening thunk.
The audience gasped.
At first, nothing happened, as though the blade had passed through Oliver’s neck without harming him—the old magician’s trick. Then gravity set in, and Oliver’s head slid down the face of the thing, leaving a bloody red stain, and fell to the floor. It rolled toward the audience, wobbling this way or that as an ear or nose went round.
“EEEEEEEK!” the girls in the audience screamed as one.
The oversized green head stopped just at the edge of the little stage. Its eyes were open and looking about wildly.
The headless remainder of Oliver himself lumbered to its feet and began swinging its huge arms, knocking two of the skeletal McClatters aside in the process. On a quest for its head, it began walking toward the audience, with its arms held straight out, like a sleepwalker‘s. Just as it was about to step off the stage into the audience, Lucas directed Eddie to plunge the theater into total darkness. Even the blue illuminated exit sign faded from view.
This time, everyone in the audience screamed. The blackness was terrifying.
Lucas’s fingers played over the keys and toggles on his control panel, creating further screams, moans, and thunderclaps.
The phonograph needle settled into a recording of “Zombie Jamboree” by the Kingston Trio. The McClatter boys, being phosphorescent and therefore visible in the dark, lined up like a Las Vegas chorus line at the edge of the stage and began dancing a frightening mountain jig. “NOOOOOOO!” More panicked teenagers screamed.
“Launch the aerials,” Lucas commanded.
Flying in formation, three glow-in-the-dark female ghosts soared low in the darkness, just above the audience’s heads, their arms trailing alongside their bodies. At first the boys in the theater oohed and aahed over their pretty faces and their scandalously loose shirts and their pale green glow.
“Hey!” a girl shouted angrily. “I thought you came here to kiss me!”
“It’s a slide projector,” said a boy in row 10. “They’re shining it onto the ceiling.”
“Cheesecloth,” said another ghost show pundit. “I’ve read about this. They just treat it with luminous paint and wave it about.”
Lucas loved the idea of gliding over the heads of the audience and wished he could do that. Surely Columbine couldn’t ignore a boy who could fly.
But then the situation turned from romantic to revolting. The youthful faces that fueled the boys’ imaginations began to age at an alarming rate, decades falling away in a flash, until they became the faces of wrinkled hags. Their eyes glowed red. The gentle drift of the ghosts’ initial flight pattern gave way to a whirlwind of rocketing ectoplasm. The ghosts banked and swooped and buzzed their trapped victims. One of the phantoms shot straight up to the roof of the tiny theater, paused, and then dive-bombed back toward the audience. The teens in her flight path leaped from their seats to avoid being struck. Another plunged to the floor and zoomed along beneath the theater seats themselves, in that crusty netherworld of old popcorn and chewing gum. The excited teens leaped up onto their armrests as the spirit light flashed beneath their feet. The third ghost, to the shock of everyone who saw in the dim glow, lifted a boy into the air, planted a slobbery old grandmotherly kiss right on his lips, and dropped him back to earth.
Lucas chose this moment of collective panic, when the entire assembly was on the verge of rushing to the exits—and perfectly timed to coincide with the finale of the skeleton song and dance number—to liberate the crowd from its fears. “Lights, Eddie,” he said into the microphone.
“Got it, Squirt.”
A single bright spotlight, so bright that some had to shield their eyes to look, revealed Professor McDuff standing center stage, smiling. The skeletons, frozen in their final configurations like characters in an anatomy class, drifted backward into the shadows.
The Professor thanked the audience for attending, explained that the goings on had been “our little way of saying boo,” and introduced the feature film, Abbott and Costello Meet Frankenstein, starring Lon Chaney Jr., Glenn Strange, and Bela Lugosi, in their classic roles as The Wolfman, Frankenstein’s monster, and Count Dracula. It was one of Lucas’s favorites, one he often fantasized about watching with Columbine.
“And for any of you asking the question, ‘Do the dead return?’ our answer is, ‘Of course! We’ll see you next year.’ Pleasant nightmares.”
The California high schoolers responded with enthusiastic applause.
It was the same every night, wherever the show played across America. Part of it, Lucas figured, was that the teens enjoyed the show. Part of it was that the clapping masked the fact that many were still shaking from the strange goings on. And part of it, of course, was that the movie would give the lovebirds in the audience time to nuzzle with their sweeties in the dark, well after midnight, with no more fear of being interrupted by spooks that had seemed just a little too real. It was best, Lucas knew, that they not think too much about card skills no one could acquire in a single lifetime, about a floating skull that could steal thoughts, about an impossibly fast Houdini Trunk escape, about a beautiful girl who could see into tomorrow, about a decapitated giant, dancing skeletons, or floating ladies.
Lucas flipped a switch and the film began. The projector lamp gave off a pleasantly familiar burning smell, and the filmstrip ratcheted noisily through the mechanism, casting the movie’s opening black and white images of London at night onto The Strand’s little screen.
Later, there was to be a cast party in the theater manager’s office. Perhaps at the party, among the manager’s framed movie posters of King Kong, Godzilla, and Attack of the 50 Ft. Woman, amid the hubbub of post-show chitchat, Lucas might muster the courage to tell Columbine how wonderful she had been this evening, or to invite her for a stroll along the dark beach, only a block away. In his fantasy they walked barefoot in the sand, the black waves slapping the beach, alone beneath a silver moon and a spray of stars.
Right, he thought. As if that were going to happen. Why would the flattery of a ten-year-old boy make the slightest impression on a girl who was already fifteen? Why would his beach-walk invitation hold the slightest interest to a girl who no doubt liked boys on the beach to be taller, with muscles? And what if he were older, more her age? Would she reject him anyway, prefer Eddie over him, or prefer someone else entirely?
And so, once again, Lucas knew that he wouldn’t even speak to her. Rather, just before retiring, at sunup along with the rest of the cast, he would extract his diary from his little traveling suitcase, and he would draw, for the day’s date next to her name, in his small neat hand, his evaluation of her performance: four perfect stars. Lucas Mackenzie—boy critic.

* * *

Meanwhile, none of the teenagers settling in for the movie, the munchies, or the smooching opportunity seemed to notice the scratching noise coming from the back row.
Gleefully entering notes into a little journal, and the only one of the audience who had pointedly not joined in the applause, was an adult named Harlan H. Hull. Mr. Hull—Doctor Hull to his colleagues and students—was ecstatic over his findings. He salivated over a possible book advance, a research grant, a guest appearance on television.
Dr. Hull chaired the Paranormal Studies Department at Bradbury College, a distinguished liberal arts institution in upstate Illinois. From the moment he had entered the theater, armed with a battery of electronic sensors that the FBI’s J. Edgar Hoover himself might have envied, Dr. Hull had been monitoring various energy fields.
At first there were only hints. The needle on his Graviton Flux Indicator had registered surprising variations in body mass. If a stage show cutie could lower her body density that far, she could pass right through solid objects. Could the trunk have been normal? The spinning mirror on his Extensible Luminosity Gauge had picked up abnormally low dermal reflectivities. Could the psychic girl have been that pale?
But then came conviction. Dr. Hull’s Remote Thermal Scanner 360 had provided the proof he had been chasing. With a pistol grip, a cross-hair gun sight, and a readout with glowing red numbers, the device resembled a hand-held Flash Gordon ray gun. The RTS 360 could measure body temperatures across a room to an accuracy of one tenth of one degree, and what Dr. Hull had determined was still making him shiver.
If his readings were correct, he knew what he had feared to know.
He now knew the talking skull had housed no hidden microphone, the trunk no secret panel, the guillotine no trick-shop blade. He knew the gyrating skeletons were not string puppets, the soaring phantoms neither magic lantern show nor chemically treated gauze.
For every member of the show—from Professor McDuff to the yakking skull to the pale girl to the big green guy to the dancing skeletons to those floating hussies—had a body temperature of exactly fifty-nine degrees Fahrenheit. The temperature of the grave. The room temperature of Eternity. In a word, everyone in this show was dead. There was no other way to say it.
They had no business gallivanting around on stage before children. They belonged under the dirt, under the sod, under the feet of the living. And he was the one to put them there.
“I’ve got you, my pretties,” Dr. Hull said aloud, twisting one of his long strands of white hair in his fingers. “At last, truth in advertising.”
The London Midnight Ghost Show?
Spooks run wild in the audience?
Do the dead return?
Yes, indeedy!
And he had the proof!

 

 

Chapter-by-Chapter-header---About-the-Author

Steve Bryant is a new novelist, but a veteran author of books of card tricks. He founded a 40+ page monthly internet magazine for magicians containing news, reviews, magic tricks, humor, and fiction; and he frequently contributes biographical cover articles to the country’s two leading magic journals (his most recent article was about the séance at Hollywood’s Magic Castle).

 

Connect with the Author: Website | Twitter | Goodreads

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